Peeping Tom, Triptych
I don’t go to see much in the way of contemporary dance, but on a whim, I decided to get tickets to the Power Center to see Triptych, a performance developed by the Peeping Tom dance company from Belgium. Comprised of three pieces—The Missing Door, The Lost Room and The Hidden Floor—created in 2013, 2015, and 2017, respectively, the performance ran just over two hours, including a partial intermission. This post is a bit of a break from what I’ve been writing lately, but it feels worth highlighting, if only to help keep at least some attention on artistic endeavours. Just as a warning, I have not refrained from spoiling anything in here, so you might want to stop reading if you’re planning to see it and want the full effect.