Emergent Archives

It’s fascinating to think about how much we give to the internet, and sometimes, how much it gives back. In my mind, there is a fairly direct historical connection between self-archiving practices from a couple of decades ago (keeping a diary, making photo albums, writing letters, etc.), to all the more recent variations on this idea (status updates, tweets, photo feeds, etc.). The difference is arguably in how much of the background work is taken care of for us, and the fact that we now make so much of this information public or semi-public. While many have explored the implications of this for privacy, security, and surveillance, there is another aspect that gets less attention: the automatic creation of our own archives.

Montage as Archive

I was recently reminded of Christian Marclay’s The Clock—a 24 hour film made up of thousands of short film clips, carefully edited together such that (when properly synchronized) the time depicted in each moment of film corresponds to the current time in the world. I’ve never seen it, and sadly only a few copies exist, but I think it’s a fascinating example of a kind of archival art. When you hear the description, you might think of it as just a kind of a gimmick, one which would not reward actual viewing.

Reproducibility in Art and Science

Marking the beginning of a new partnership between Rhizome and the Google Cultural Institute, the Rhizome blog recently published a conversation between Dragan Espenschied, Rhizome’s preservation director, and Vint Cerf, Google’s Chief Internet Evangelist. In addition to bringing together two people with among the coolest job titles ever, it got me thinking about some similarities between art and science when it comes to the issue of reproduction. The main thrust of the conversation is about the difficulty of preserving internet art.

The Self-Archiving machine

What lies in store for this post? As I write this, it exists in a strange space — not yet public, yet already part of an archive, of a kind. Perhaps it cannot yet even be properly called a post, (since it has not yet been posted), and yet it is there for me to read and edit, part of my collection of unpublished stubs, stored on the Medium servers along with who knows what metadata.

Elbow Room

Daniel Dennett is one of the most fascinating philosophers currently living. Although he pursued a traditional (but nonetheless exceptional) course of education, over time he seems to have moved farther and farther away from traditional philosophical methods and styles, and more toward a form of engagement that is simultaneously rigorous, original, and accessible. Not only is he prolific, he is far better informed on scientific topics than any other philosopher I can think of, and seems to have quite intentionally pursued a course through the relevant fields of inquiry in order to develop a sophisticated understanding of what we are as human beings.